“Mina Mina – Memories of Country”
by
Dorothy Napangardi
- Catalog Number
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DN-24; Screenprint - Basil Hall Editions
- Type
-
Limited Edition Prints
- Size
-
50cm x 39cm; Paper Size 76cm x 56cm
With its monochromatic colour and the delicate hint of colour, this beautiful sc
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With its monochromatic colour and the delicate hint of colour, this beautiful screen print depicts a major women’s ceremonial site known as Mina Mina, the artist’s custodial country, located near Lake Mackay in the Tanami Desert. During the Jukurrpa Ancestral women of the Napangardi and Napanangka sub-section groups (aunt / niece relationship, in which knowledge is passed from one to the other) gathered to collect ceremonial digging sticks (karlangu) that had emerged from the ground. They then proceeded east, performing rituals of song and dance, to the place known as Jankinyi.
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“Venus and Mars”
by
Rusiate Lali
- Catalog Number
-
PRINTRB-13; Etching - Northern Editions
- Type
-
Limited Edition Prints
- Size
-
50cm x 40.5cm
In this etching we are invited to perceive the playfulness, lightness and beauty
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In this etching we are invited to perceive the playfulness, lightness and beauty of Venus, the planet of love alongside the characteristics of the planet Mars, often associated with more masculine qualities. Both figures symbolize they are incomplete one without the other, inviting us to incorporate both the feminine and the masculine within us all.
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“Wilkinkarra”
by
Mitjili Napanangka Gibson
- Catalog Number
-
PRINTMN-01; Northern Editions Screenprint
- Type
-
Limited Edition Prints
- Size
-
Paper size: 100cm x 69cm
This beautiful screen print is by world renowned artist Mitjili. 'Wilkinkarra' i
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This beautiful screen print is by world renowned artist Mitjili. 'Wilkinkarra' is the Pintubi name for Lake Mackay. This area is Mitjili’s traditional country and this is the region where she lived pre-contact. Mitjili’s family would camp on the Walatu (islands of the lake) and then go into the surrounding bush to hunt. One of their main camps was called “Parrailpit”, a large wetland area with many eucalyptus trees.
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“The Great Flood of 1922”
by
Queenie McKenzie
- Catalog Number
-
CCE25-55 QM; Limited Edition Screenprint
- Type
-
Limited Edition Prints
- Size
-
62cm x 54cm
In this limited edition screenprint, Queenie depicts the flooding of the Old Tex
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In this limited edition screenprint, Queenie depicts the flooding of the Old Texas homestead in 1922. The homestead is flooded to the roof with dirty floodwater shown as pink, a colour she often used in her ochre on canvas paintings. The hills in the lower right depict the landscape of 'Old Texas'. To escape the rising water, all the stores were taken to higher ground and the people sat around and drank beer, waiting for the waters to recede.
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“Karntakurlangu Jukurrpa”
by
Dorothy Napangardi
- Catalog Number
-
DN-4.4; Limited Edition Etching
- Type
-
Limited Edition Prints
- Size
-
20cm x 25cm; Paper size: 36cm x 40cm
In this limited edition etching the artist has created striking black, grey and
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In this limited edition etching the artist has created striking black, grey and white designs depicting the ancestral women dancing across the country of Mina Mina across the terrain, around the soakages of Mina Mina and the crustations that form when rainwater recedes, through the spinifex clumps and over the sand hills.
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“Hunting at Yardanggarlum”
by
Tommy Bung Bung
- Catalog Number
-
PM83; Limited Edition Lithograph
- Type
-
Limited Edition Prints
- Size
-
59cm x 93.6cm
“A long time ago I used to go hunting at Yardanggarlm. This time I went hunting
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“A long time ago I used to go hunting at Yardanggarlm. This time I went hunting with my dog. I went hunting there. I was looking for bush turkeys, kangaroos, anything. I found a turkey but I had no bullets for my rifle. No gun, no anything. So I got my dog to get the turkey. He jumped down from my car. He ran underneath the car, chasing a big goanna. He ended up getting that goanna and then I sent him after the turkey. He jumped and grabbed the turkey by the leg and pulled him down. He grabbed him just when he was ready to fly away”.
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“My Family”
by
Melissa Dhadinku
- Catalog Number
-
MD14-25; Linocut
- Type
-
Limited Edition Prints
- Size
-
30cm x 30cm; Paper size:: 52cm x 48cm
Before Melissa was born her mother heard a knocking on the door. When she opened
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Before Melissa was born her mother heard a knocking on the door. When she opened it and looked outside no one was there. Her father was sleeping at the time and when he woke up he told Melissa's mother that he had dreamed of an animal spirit. That animal spirit was Melissa's totem and that is how her parents knew that she was inside her mother. Melissa participated in a print workshop held in Milingimbi with printmaker Theo Tremblay which accommodated students between the ages of 12 and 17 years. These students were asked to depict family scenes.
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“Ngapa & Pamapardu Jukurrpa (Water & Flying Ant Dreaming)”
by
Reanne Brown Nampijinpa
- Catalog Number
-
RNB6-10; Etching
- Type
-
Limited Edition Prints
- Size
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23.5cm x 16.5cm
This rain (ngapa) story belongs to Nampijinpa and Nangala women and Jampijinpa a
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This rain (ngapa) story belongs to Nampijinpa and Nangala women and Jampijinpa and Jangala men. The Ngapa Jukurrpa travelled from east to Mikanji, west of Yuendumu. The concentric circles are mulju (water soakages). The Jangala man, rainmaker, is singing the Ngapa. This Jukurrpa has many sacred sites attached to it. The small lines which are surrounding the circles are depicting Flying Ants living close the water soakages.
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“Spinifex”
by
Dorothy Napangardi
- Catalog Number
-
DN-4.1; Northern Editions Screenprint
- Type
-
Limited Edition Prints
- Size
-
20cm x 25cm
This striking white on black design depicts the giant spinifex (Triodia longicep
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This striking white on black design depicts the giant spinifex (Triodia longiceps) that’s grows throughout the desert region, in the artist’s custodial country of Mina Mina located near Lake Mackay in the Tanami Desert, north of Yuendumu in the Northern Territory. In this work, the artist depicts the ancestral women of the Napangardi and Napanangka (aunt / niece relationship) dancing across and through the spinifex, growing across the terrain and around the soakages of Mina Mina and the crustations that form when rainwater recedes.
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“The Horso Creek Massacre (1880’s)”
by
Queenie McKenzie
- Catalog Number
-
QNM 18/55; Limited Edition Screenprint
- Type
-
Limited Edition Prints
- Size
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63cm x 83cm (image)
This limited edition, tells about one of the most horrific and defining events i
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This limited edition, tells about one of the most horrific and defining events in the Aboriginal / White relations in the Kimberley region: A group of Aboriginal people were shot by white police after Paddy's father killed a bullock. He was the sole survivor after hiding in the body cavity of the dead animal. Several of those killed were women. Their children, shown lying in the coolamons they were carried in, also died. The incident is remembered and passed down as part of the oral history of the region.
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“Janayiwom Country”
by
Nancy Dilyai
- Catalog Number
-
PM83 4/99ND; Limited Edition Lithograph
- Type
-
Limited Edition Prints
- Size
-
31cm x 50cm; Paper size: 38cm x 56cm
The print is of ‘Janayiwom Country’ which is located next to Yirralalem Hill. In
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The print is of ‘Janayiwom Country’ which is located next to Yirralalem Hill. In the Ngarranggarni (Dreamtime) there was an old man named Jariba who walked that area and left his footprints behind which later turned to stone. The centre of the print is his footprints, around the edges of the print are the hills that surround that country. Nancy Dilyai is a senior artist and traditional owner from the East Kimberley region who was born at Ivanhoe Station in Western Australia.
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“Salt”
by
Dorothy Napangardi
- Catalog Number
-
DN-4.2; Limited Edition Etching - Northern Editions
- Type
-
Limited Edition Prints
- Size
-
20cm x 25cm; Paper size: 36cm x 40cm
In this simple but beautiful etching, the artist has created striking black desi
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In this simple but beautiful etching, the artist has created striking black design on white depicting the ancestral women dancing across the country of Mina Mina across the terrain, around the soakage’s of Mina Mina and it’s crustations of salt; through the Spinifex clumps and over the sand hills.
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